Do you know how to use Diagonal Lines In Photography to improve your images? While it is true that a Diagonal Line can provide a sensation of motion or guide the observer to different points in a picture, it is not always possible to apply this rule.
We’ll define a diagonal in this post and go over the various uses it may be put to in Photography Composition. So, if you’re not sure where to look for diagonal lines, which angles work best, or how to use them to your advantage, this is the post for you.
What Are Diagonal Lines In Photography?
In photography, a diagonal line must make an angle with one of the frame’s edges – as long as it is not a 90-degree angle. Thus, no edge can have a diagonal line that is parallel or perpendicular to it.
Diagonal Lines In Photography are any slanted lines in a photograph, such as tilted trees and road paint, as well as partially outstretched arms and bent flagpoles. A diagonal line is a straight line segment that forms an angle between a vertical and horizontal axis. It is a line that connects two edges of a shape in geometry by passing through its center. Or to put it another way, a diagonal is any line segment that is neither vertical nor horizontal.
In this case, diagonal lines span the entire image:
In truth, Diagonal Composition is rather common; most images have at least one strong diagonal, and you can easily convert any straight line into a diagonal by slanting your camera!
But what is it about diagonals that make them so useful in photography?
For one thing, diagonals serve as leading lines, guiding the viewer’s eye through the scene. In other words, they assist in taking the spectator on a visual journey (which is almost usually a good thing). Take a look at the image above; do you notice how the diagonals pull you through the shot?
Diagonals In Photography can provide a sense of vitality, or activity, to an image, which is ideal for dramatic landscapes and powerful street images. When used correctly, diagonals can even add depth to a composition by indicating perspective.
While diagonals are not always required in compositions, they are typically a good idea, especially if you want more dynamic, engaging results.
What is the difference between a diagonal and a vertical line?
In contrast to horizontal and vertical lines, diagonal lines have a lot of movement.
A horizontal line, like a horizon, stretches flat across an image. And, like a tree trunk, a vertical line runs from top to bottom. However, while these types of lines can look nice and help a composition, they just don’t give the viewer that extra push through the frame. This should make intuitive sense. After all, A horizontal or vertical line is intrinsically stable; it will not lean or tilt in any way.
On the other hand, a diagonal line is tilting by definition. It’s off balance. As a result, once a viewer’s eyes are drawn to a diagonal, they slide along it as if pulled by gravity!
Why Do Diagonal Lines In Photography Function?
1. Diagonal lines give the Illusion of depth
Have you ever seen a road that stretches out into the distance? If you look closely, you’ll notice that as the road advances toward the horizon, its two edges move diagonally (and eventually merge at a point in the distance).
Because, while road edges are theoretically straight, diagonal lines aid in depth perception. And as photographers, we can take advantage of that. Because depth is represented by diagonal lines, we can reverse engineer that effect by adding diagonal lines to obtain depth.
Indeed, as many photographers have discovered, utilizing diagonal lines to create the appearance of depth works really well. Scenes that might otherwise be quite flat can be brought to life by the addition of a beautiful diagonal.
2. Diagonal Lines Increase Composition Tension


Vertical lines appear to be…stable. Balanced. Centered. They move steadily up and down, which reduces visual stress. The same may be said for horizontal lines. They’re not round. They have a familiar feel about them. They also help to direct the eye throughout the frame while remaining comfortable.
Diagonal Lines In Photography are distinct. There is never a sense of steadiness because they tilt. Diagonal lines, on the other hand, provide tension to a composition. The spectator is dragged – or pulled – along the diagonals. And because diagonals frequently meet with other horizontal or vertical lines, viewers will frequently wind up with additional tension when crucial compositional elements clash.
3. Add Dynamism and Directionality with Diagonal Lines
As said above, Diagonal Lines In Photography guide the viewer through a scene. They entice the spectator to follow the line from the foreground to the center ground to the background.
It’s worth noting that diagonal lines guide the spectator around the image, in the same way, every time:
- Beginning in the foreground.
- Then, moving to the center.
- And stopping in the background.
This is why diagonal lines in a photograph add directionality. Because thanks to the presence of diagonal lines, the spectator proceeds through the photograph, in the same manner, each time.
The best way to locate Diagonal Lines In Photography
Diagonals are not very hard to find, you just need to know where to look!
There are a few diagonals in every scene that are simply waiting to be found. You’ll become more adept at recognizing them with practice, but if you’re just getting started with Diagonal Composition, I’d advise you to focus on a few key areas.
First, look for lines that extend from the foreground to the horizon when taking landscape pictures, such as:
- Fallen logs
- Rivers
- Blades of grass
- Lines in the sand
Any of the aforementioned choices are excellent diagonals. Just attach a wide-angle lens to your camera, crouch down over your subject in the front, and change the shooting angle until you capture a lovely diagonal sweeping over the scene.
Second, ask your subject to position their arms so that they point diagonally to their face if you’re taking portrait pictures. The result should seem natural, and you should be discreet about it.
Third, choose a distinct topic when taking pictures on the street, then look for lines in the background that will guide the viewer’s eye in the appropriate direction. It can be useful to have a wide-angle lens, such as a 28mm or 35mm choice. Then, you may use:
- Building edges
- Street signs
- Road paint
- Curbs
- A person gesturing
Get low over a curb or line of road paint for the greatest results so the Diagonal Composition cuts directly toward the main subject. As an alternative, you might catch your subject navigating a complex network of buildings with intriguing diagonals and edges (try tilting your camera to increase the impact!).
Tips for Using Diagonal Lines In Photography
In photography, diagonal lines are prevalent. In fact, there is a diagonal in almost every scene. You merely need to recognize it and then use it in your compositions!
Rivers, for instance, cut diagonally through a forest. There are trees that are twisted and growing up diagonally. The eye is drawn diagonally from the foreground to the background by the long rocks. From one corner to the next, roadways cut through the scene.
It’s not difficult to use Diagonal Lines In Photography. You may create beautiful Diagonal Compositions by just following these guidelines:
Use leading lines are diagonal lines
Leading lines guide the viewer’s gaze through the frame, typically from the foreground to the background.
Leading lines can also be vertical, but a diagonal arrangement looks much nicer. Mainly because they give the action more complexity, increase the suspense, and effectively guide the viewer.
Remember that you don’t have to force the composition, even if it’s a good idea to look for diagonals whenever available. Even while a vertical leading line won’t provide a composition as strong as a traditional diagonal shot, it’s acceptable to use it if you can’t find a workable diagonal leading line.
Rule of Thirds and diagonal lines
According to the rule of thirds, your key compositional pieces should be placed a third of the way into the frame. It’s also a useful compositional “rule,” especially if you have trouble placing objects in a scene. The rule of thirds is incredibly popular because it frequently results in a wonderfully balanced design.
What about Diagonal Lines In Photography, though? What place do they take up in the rule of thirds?
Although diagonal lines don’t exactly fit into the rule of thirds, you can combine the two compositional principles to get a unique effect.
To achieve overall compositional balance, place the horizon line of your scene along a gridline using the rule of thirds. But after that, locate another element and place it diagonally, preferably one that leads from the foreground to the background.
This way you can benefit from both methods. It is the harmony of the rule of thirds, as well as the tension and movement of a diagonal shown in the photo step below.
Use diagonal lines to connect the foreground, middle ground, and background
As mentioned above, diagonals make excellent leading lines.
However, a strong diagonal elevates leading lines to a new level. The best diagonals truly connect the foreground, middle ground, and backdrop by leading the viewer on a journey throughout the entire photo, as opposed to merely drawing the eye into the frame and moving it along haphazardly!
Don’t seek diagonals that are only present in one or two layers of your composition when you’re out photographing. Instead, look for diagonals that pass across the middle ground and end in the background, starting in the front.
Use the camera’s tilt to create diagonal lines
Strong diagonals can be quickly produced by tilting the camera. There are two ways to accomplish this.
First, take a typical scenario with a flat (i.e., horizontal or vertical) line as a starting point. Your camera is then tilted, making any flat lines appear to be diagonal.
Is it looking natural? Without a doubt. However, it has the potential to provide an artistic, disorienting impact, so I encourage you to try it out.
Second, you could use a wide-angle lens, position some vertical lines around you (like trees), and then point your camera upward.
There will be several intriguing diagonals as a result of the vertical lines converging inward.
To create diagonal lines, alter your angle of viewpoint
A little-known fact is that, even if a scene appears to consist simply of horizontal or vertical lines, there is still hope.
Because camera angle affects whether a line appears diagonal, vertical, or horizontal. For instance, a straight river will stretch diagonally toward the horizon if you shoot it from the side. But if you take a picture of the same river with the camera pointed perpendicular, it will probably look horizontal.
So never give up looking for diagonals simply because you can’t notice one right away. You may select the ideal line to give your photographs depth, dimension, and dynamism with a little imagination.
14 Tips for Photography Diagonal Lines
You are well-versed in Diagonal Lines In Photography and how to locate them, but how can you use diagonals to your advantage?
We give some advice regarding diagonal compositions in this section, beginning with:
1. Look for diagonal lines that naturally exist
Without having to build them, you can capture many naturally existent diagonal lines in the actual world, such as the structure of a leaf or a mountain.
Human-made items also provide a number of diagonal lines that are suitable for photography. For instance, stairs, pavement tiles, and several other architectural components.
2. Steer clear of joining adjacent corners
Avoid placing diagonal lines precisely in the two corners of the frame of your shot to create a better composition. Unless you deliberately want to create a powerful cut in half, which is rarely as effective as keeping it off-center.
3. Make diagonal lines your leading lines
To draw the viewer’s focus to the focal point, Diagonal Lines in Photography work quite well. Remember that a diagonal line need not be a physical line.
The spectator will naturally follow that hypothetical line connecting the subject to what the subject is looking at, for instance, if the subject is pointing or even merely looking in that direction.
4. Using diagonal lines to create depth
A two-dimensional image appears to have depth when diagonal lines are present. This is due to perspective, which makes two parallel lines appear to be diagonals that converge at a remote vanishing point.
Your photographs have a three-dimensional appearance thanks to two diagonal lines. When you’re looking up at it, consider a picture of a road that ends at a structure or the edge of some forest.
5. Employ rectangular forms.
Straight line segments are used to create rectilinear shapes; a pentagon, for instance, has five diagonals. A shape without diagonals is also an option, but you may add them by switching points of view.
Consider a rectangle or a square. These shapes are formed by perpendicular horizontal and vertical lines; however, when viewed from an angle, a horizontal line becomes a diagonal.


6. Obey the rules of photography composition
Diagonal Lines in Photography are a strong compositional tool on their own; when combined with other elements, they become much more effective.
The image up top is the ideal illustration. The person running is in the opposite corner, and the diagonal lines point in the direction of the upper right corner of the frame. The placement of the subject, which complies with the rule of thirds, also adheres to the principle of proportion.


7. Add tension to the image
Squared compositions offer the spectator a sense of permanence since permanence implies steadiness. Use Diagonal Lines in Photography to break this up and add some dramatic movement to your image.
Examine the below example. A static image would be created by the composition and the various shapes on the wall. However, the figure is leaning forward while standing on his toes, creating a diagonal line that gives the impression that he might fall.


8. Add more vibrant imagery
As you’ve seen, using Diagonal Lines in Photography helps you convey movement and gives your artwork a more dynamic sense, but it can also spook the spectator.
Fortunately, depending on how you utilize them, Diagonal Lines in Photography can mean different things. Consider a picture of a mountainous environment as an illustration. Fewer things are as structurally stable as a mountain, even if it has two diagonals.
Similar to this, you can balance the composition by using a variety of pieces. A square or a circle can be added to a diagonal line since stable shapes express this.
9. Employ a Dutch angle
You are aware of the principle stating that the horizon must be a horizontal line. Even tripods have a bubble level, and most cameras include a grid overlay to prevent slanted lines.
The Dutch perspective, on the other hand, defies that norm. The goal is to frame your composition while holding the camera at an angle. This turns the subject’s horizontal and vertical lines into diagonal ones.
Because you’re merely tilting your camera to create diagonal lines, this camera position is often referred to as a “Dutch tilt”. Of course, you must apply this tactfully to avoid giving the impression that the horizon is off-balance.
10. Position items in diagonal rows
By positioning things in a still life or the subjects in a group portrait image, you can generate Diagonal Lines in Photography. By doing so, you may fill up more of the frame and provide focal points that will help viewers navigate the entire image.
To introduce new directions and cause the viewer’s eye to move around the image if there are other lines, you can add a diagonal line.
11. Use shadows to make diagonal lines
Using shadows is another technique for creating Diagonal Lines in Photography; to achieve this, simply change the light’s direction. Take a look at the scenario with the vertical subjects in the example above.
The shadow will fall immediately beneath the figure if the light source is at the top. The shadow would produce horizontal lines if the light were coming from the side.
Instead, the photographer employed an angled light source to create diagonal lines between the lights and shadows. This is a very efficient method since it produces very pleasing lighting that can be used for portrait or still-life photography when lighting subjects at 45-degree angles.
12. Combine diagonals and straight lines to create points of interest
If you’ve read about the rule of thirds, you know that while single lines are attractive, it’s the points of intersection where the lines come together that truly catch the viewer’s attention. In other words, the intersection of two lines has great attraction.
Find your diagonal the next time you’re shooting, but also search for another line that the diagonal can connect with to create a strong region of interest.
Keep in mind that your second line doesn’t necessarily have to be diagonal; for example, you can achieve outstanding results by combining a diagonal line and the horizon line.
However, take care not to employ line intersections carelessly. They are excellent for grabbing the viewer’s attention. Instead, try to reposition the subject of your composition so that it is at the intersection. In this manner, the spectator will get at the subject directly when they follow the lines!
13. Don’t include too many diagonal lines
For a variety of reasons, Diagonal Lines In Photography are fantastic; nevertheless, if your composition contains too many, it may become cluttered and challenging to comprehend.
While a few diagonals flowing in the same general direction can provide attractive patterns, an overly-diagonalized image can be particularly problematic if the diagonals are crossing from opposite directions.
So, before pressing the shutter button if you do come upon a scene with numerous diagonals, carefully consider your composition. Do you feel that the image is cohesive? Or is it chaotic because of the diagonals?
If a scene does contain a lot of diagonal lines, you can always change the composition to omit some of the most troublesome regions. Change to a telephoto lens if you can (zooming with your feet also works!).
You can also choose to embrace the turmoil. But if you do choose to go that route, make sure the image is consistent by using a few very eye-catching diagonals, or diagonals that stick out above the rest. Is that clear?
14. Look for patterns
A few diagonals moving together can produce eye-catching patterns. As you might anticipate, you may employ these patterns to make compositions that are incredibly engaging (although you should be careful to prevent compositional chaos, as stated above).
Watch for diagonal parts that repeat, and when a pattern emerges, try your best to use it in your images. One approach is to come really near so you can focus your photo on the pattern (In this technique, you can take a gorgeous abstract photograph).
Moving back and/or using a wide-angle lens are other options to make the pattern a subtle but significant aspect of the image.
Remember that patterns tend to make diagonals stronger than straight diagonals, so pay close attention to where you place patterned diagonals with respect to the main subject. Make sure the diagonals move the viewer’s attention towards the direction of the subject rather than away from it.
Innovature hope you now have a better understanding of the various applications of Diagonal Lines In Photography. Including diagonal lines in your photographs can be an effective strategy, whether you’re looking for real ones or made-up ones.
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